Cookery and Dining in Imperial Rome

his art in Germany, Belgium, France, England and Scandinavia. Wherever he went, he gave his hours of freedom to reading and study in libraries and museums. During his first trip through Italy and on a visit to Pompeii he conceived the idea of depicting some day the table of the Romans and of making the present translation. He commenced to gather all the necessary material for this work, which included intensive studies of the ancient arts and languages. Meanwhile, he continued his hotel work also, quite successfully. At the age of twenty-four he was assistant manager of the fashionable Hotel Bristol, Vienna. However, the necessities of existence prevented his giving that time and study to art, which is necessary if it was to become a real career. In Vienna he found music, drama, languages, history, literature and gastronomy, and met interesting people from all parts of the globe. While the years at Vienna were the happiest of his life, he had a distaste for the "superheated, aristocratic and military atmosphere." It was at that city that he met the man who was responsible for his coming to America. Were we writing Mr. Vehling's biography, we would have ample material for a racy and startling narrative. We desire only to indicate the remarkable preparation for the work before us, which he has had. A Latin scholar of exceptional promise, a professional cook of pronounced success, and an artist competent to illustrate his own work! Could such a combination be anticipated? It is the combination that has made this book possible. The book has claims even upon our busy and practical generation. Mr. Vehling has himself stated them: "The important addition to our knowledge of the ancients--for our popular notions about their table are entirely erroneous and are in need of revision. "The practical value of many of the ancient formulæ--for 'In Olde Things There is Newnesse.' "The human interest--because of the amazing mentality and the culinary ingenuity of the ancients revealed to us from an altogether new angle. "The curious novelty and the linguistic difficulty, the philological interest and the unique