Old Cookery Books and Ancient Cuisine

be once for all observed that this kind of literature seldom proves of much service to us in an investigation of the state of the poor, until we come to the fifteenth or even sixteenth century, when the artists of Germany and the Low Countries began to delineate those scenes in industrial and servile life, which time and change have rendered so valuable. Where their superiors in rank regarded them as little more than mechanical instruments for carrying on the business of life, the poor have left behind them few records of their mode of sustenance and of the food which enabled them to follow their daily toil. The anecdotes, whatever they may be worth, of Alfred and the burnt cakes, and of Tom Thumb's mamma and her Christmas pudding, made in a bowl, of which the principal material was pork, stand almost alone; for we get, wherever we look, nothing but descriptions by learned and educated men of their equals or betters, how they fed and what they ate--their houses, their furniture, their weapons, and their dress. Even in the passage of the old fabliau of the "King and the Hermit" the latter, instead of admitting us to a cottage interior, has a servant to wait on him, brings out a tablecloth, lights two candles, and lays before his disguised guest venison and wine. In most of our own romances, and in the epics of antiquity, we have to be satisfied with vague and splendid generalisations. We do not learn much of the dishes which were on the tables, how they were cooked, and how [Greek: oi polloi] cooked theirs. The _Liber_, or rather _Codex, Princeps_ in the very long and extensive catalogue of works on English Cookery, is a vellum roll called the Form of Cury, and is supposed to have been written about the beginning of the fifteenth century by the master-cook of Richard II who reigned from 1377 to 1399, and spent the public money in eating and drinking, instead of wasting it, as his grandfather had done, in foreign wars. This singular relic was once